Normally you'll discover content pieces on how to increase vocal range honing in on adding more high notes to your vocal vocabulary, leaving the Barry Whites in the dust. But in this segment we're going to explore ways in which to add low notes to your arsenal by means of chest voice.
Everybody uses their chest voice for normal speaking. In actual fact, you're able to learn much about your singing voice from your speaking voice. The way you employ your speaking voice can either help or hinder your singing voice.
Let’s start by exploring the speaking voice. Make a variety of non speech sounds: laugh, yawn, sigh, cry. Use a piano or any kind of instrument  to find the closest pitch you just made. Now speak a few monosyllables such as ahh, m-hmm, ooh. Once again, find the same pitch on the instrument.
Now speak a handful of plain sentences, such as "my name is_____" or "I like to sing". Once again, find the matching pitch. Ideally, the pitch ought to be the same for speaking as it is for monosyllables or non-speech sounds, but some of us try to speak with a lower pitch than is normal for their voice. This isn't a healthy thing to do.
Continue exploring your voice by speaking monosyllables at different pitch levels on a piano. Find the lowest pitch you can actually speak without sounding gravelly. The gravelly sound is known as "vocal fry" and is not healthy to sustain. Your ideal speaking pitch should be about four to five steps above your vocal fry level.
The next thing you need to do is to speak or read a paragraph out loud. Try out with higher speaking pitches to see how high you can go. Along the way, note where your voice is most at ease and where you begin to hear and feel strain.
When using your "chest voice", you will feel vibration (resonance) in your chest when producing tones in that pitch range. Place your hand lightly on your upper chest, together with your thumb and fingers resting on your collarbones. Perform a yawn-slide (exhale on the syllable "hee" or "hoo" while sliding from the top of your range to the bottom). Your hand should sense vibration as you slide downward into your chest voice.
Although it seems like the resonance is occurring in your chest, it's actually happening within your throat and mouth. The vibration you are feeling is the result of air moving from your lungs and across your vocal folds.
A simple low-range singing exercise is the fifth slide. Starting within the comfortable middle part of your range, use the buzz (puckered lips vibrating as air is expelled) or a syllable like "vaw" to sing the starting pitch and slide down five steps. In the key of C major it would be G-C, so-do. The slide ought to be smooth, not bumpy or creaky. Begin each repetition a half-step under the previous one.
If you feel bumpy or rasping sensations as you descend the scale, you’re almost certainly holding some tension. Take a breather and do some face and neck relaxation exercises. Gently massage your face and throat, next try again. As you descend the scale, close your mouth a bit from its starting position. Then, sing an octave scale up and back down, again using the buzz or "vaw". As you go up the scale, let your jaw to release and your mouth to open slightly wider, then reverse that as you return down. It might be helpful to envisage your tone on a path leading away from yourself, with low notes nearest and high notes farthest away. Maybe even move one hand away from your body as you ascend the scale and back to your side as you descend.
The arpeggio is another helpful exercise. Sing do-mi-so-do-so-mi-do on a vowel sound, such as "oo", "ee", or "ah". Begin each new arpeggio a half-step lower than the last.
As with any singing technique, adding to your lower range will take time and effort. For those patient and persistent, you will see that positive results.

Tags: increase vocal range, increase your vocal range, vocal range, vocal singing

Normally you'll discover content pieces on how to increase vocal range honing in on adding more high notes to your vocal vocabulary, leaving the Barry Whites in the dust. But in this segment we're going to explore ways in which to add low notes to your arsenal by means of chest voice.
Everybody uses their chest voice for normal speaking. In actual fact, you're able to learn much about your singing voice from your speaking voice. The way you employ your speaking voice can either help or hinder your singing voice.
Let’s start by exploring the speaking voice. Make a variety of non speech sounds: laugh, yawn, sigh, cry. Use a piano or any kind of instrument  to find the closest pitch you just made. Now speak a few monosyllables such as ahh, m-hmm, ooh. Once again, find the same pitch on the instrument.
Now speak a handful of plain sentences, such as "my name is_____" or "I like to sing". Once again, find the matching pitch. Ideally, the pitch ought to be the same for speaking as it is for monosyllables or non-speech sounds, but some of us try to speak with a lower pitch than is normal for their voice. This isn't a healthy thing to do.
Continue exploring your voice by speaking monosyllables at different pitch levels on a piano. Find the lowest pitch you can actually speak without sounding gravelly. The gravelly sound is known as "vocal fry" and is not healthy to sustain. Your ideal speaking pitch should be about four to five steps above your vocal fry level.
The next thing you need to do is to speak or read a paragraph out loud. Try out with higher speaking pitches to see how high you can go. Along the way, note where your voice is most at ease and where you begin to hear and feel strain.
When using your "chest voice", you will feel vibration (resonance) in your chest when producing tones in that pitch range. Place your hand lightly on your upper chest, together with your thumb and fingers resting on your collarbones. Perform a yawn-slide (exhale on the syllable "hee" or "hoo" while sliding from the top of your range to the bottom). Your hand should sense vibration as you slide downward into your chest voice.
Although it seems like the resonance is occurring in your chest, it's actually happening within your throat and mouth. The vibration you are feeling is the result of air moving from your lungs and across your vocal folds.
A simple low-range singing exercise is the fifth slide. Starting within the comfortable middle part of your range, use the buzz (puckered lips vibrating as air is expelled) or a syllable like "vaw" to sing the starting pitch and slide down five steps. In the key of C major it would be G-C, so-do. The slide ought to be smooth, not bumpy or creaky. Begin each repetition a half-step under the previous one.
If you feel bumpy or rasping sensations as you descend the scale, you’re almost certainly holding some tension. Take a breather and do some face and neck relaxation exercises. Gently massage your face and throat, next try again. As you descend the scale, close your mouth a bit from its starting position. Then, sing an octave scale up and back down, again using the buzz or "vaw". As you go up the scale, let your jaw to release and your mouth to open slightly wider, then reverse that as you return down. It might be helpful to envisage your tone on a path leading away from yourself, with low notes nearest and high notes farthest away. Maybe even move one hand away from your body as you ascend the scale and back to your side as you descend.
The arpeggio is another helpful exercise. Sing do-mi-so-do-so-mi-do on a vowel sound, such as "oo", "ee", or "ah". Begin each new arpeggio a half-step lower than the last.
As with any singing technique, adding to your lower range will take time and effort. For those patient and persistent, you will see that positive results.

Tags: increase vocal range, increase your vocal range, vocal range, vocal singing